Don't You Wait so Long MCM (60 Second Alternative Vocal)
Album: The Delta Routine Bar Room Garage Rock and Country
Title
Don't You Wait so Long MCM
Filename
MCMA031_42_Don't You Wait so Long MCM_60 Second Alternative Vocal
Description
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
ComposerNicholas Amadeus Papadakis-Schneider
(ASCAP) 100% [635615936]
PublisherMCM Wired Publishing
(ASCAP) 50% [865409901]Nick Amadeus Publishing
(ASCAP) 50% [638902328]
ISRC
QMQHE2120042
Era
2020s
Released
April 1, 2021
Tempo
Fast
BPM
130
Lyrics
Don't you wait so long, don't you wait so long
It's the difference between nine and ten
You get it wrong and you end up dead
When no one's looking he's back and he's at it again
Get on a boat while you have the chance
It all started out with a look and a glance
Now he's out back taking names with a bottle of gin
Don't you wait so long, don't you wait so long
Don't you wait so long, don't you wait so long
Alternative versions
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
Acoustic and electric guitars, banjo, and a B3 set the stage for this rocker with cowboy-ballad influences. The ominous verses run into a catchy chorus and a tasteful, slyly-positive major key moment.
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