Bad Boss Now MCM (Main Full Vocals Explicit)
Album: Heart Of Steel
Title
Bad Boss Now MCM
Filename
MCMA034_85_Bad Boss Now MCM_Main Full Vocals Explicit
Description
Who's the bad boss now. Things have a way of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
ComposerCynthia Ann Starich
(ASCAP) 50% [1002433627]Christopher Francis Hanson
(ASCAP) 50% [342787442]
PublisherMCM Wired Publishing
(ASCAP) 100% [865409901]
ISRC
QMQHE2222085
UsageCrime/Investigation
Era
2020s/Future
Released
September 21, 2022
BPM
134
Lyrics
Bad Boss ain't got shit on me
I'm the red tailed angel in his dreams
Gonna nod my head do what he says
Till i come back round and knock him dead
I'm a one-stop full shop misery
Gonna stage it like a mystery
Better do your worst as you dig your grave
I\'m the text-book definite insane
Hold me down, swear to god I dare you
Don't hold back, act like I don't scare you
You don't know, just how far I'll go oh oh
Hope you know
Who's the bad boss now
Don't know who the hell I am
Gonna wish you woulda' gave damn
By the way you thought I'd bite the bait
Your apologies are long too late
I'm a real shook, slow cooked, femi rage
Swimmin' in your tears, I marinate
All the fury burnin' in my soul
Gonna strike you like a wrecking ball
Hold me down, swear to god I dare you
Don't hold back, act like I don't scare you
You don't know, just how far I'll go oh oh
Don't you know who's the bad boss now
Laughing like we're best of friends
Time has passed to make amends
This is where that story ends
A new one starts called 'My Revenge'
Hold me down, swear to god I dare you
Don't hold back, act like I donÕt scare you
You don't know, just how far I'll go oh oh
Don't you know who's the bad boss now
Alternative versions
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
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