Bad Boss Now MCM (60 Second Melody Instrumental)
Album: Heart Of Steel
Title
Bad Boss Now MCM
Filename
MCMA034_90_Bad Boss Now MCM_60 Second Melody Instrumental
Description
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
ComposerCynthia Ann Starich
(ASCAP) 50% [1002433627]Christopher Francis Hanson
(ASCAP) 50% [342787442]
PublisherMCM Wired Publishing
(ASCAP) 100% [865409901]
ISRC
QMQHE2222090
Era
2020s/Future
Released
September 21, 2022
BPM
134
Alternative versions
Who's the bad boss now. Things have a way of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
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