Bad Boss Now MCM (30 Second Promo Vocals)
Album: Heart Of Steel
Title
Bad Boss Now MCM
Filename
MCMA034_87_Bad Boss Now MCM_30 Second Promo Vocals
Description
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
ComposerCynthia Ann Starich
(ASCAP) 50% [1002433627]Christopher Francis Hanson
(ASCAP) 50% [342787442]
PublisherMCM Wired Publishing
(ASCAP) 100% [865409901]
ISRC
QMQHE2222087
UsageCrime/Investigation
Era
2020s/Future
Released
September 21, 2022
BPM
134
Lyrics
Hold me down, swear to god I dare you
Don't hold back, act like I don't scare you
You don't know, just how far I'll go oh oh
Don't you know who's the bad boss now
Alternative versions
Who's the bad boss now. Things have a way of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Who's the bad boss now. Things have away of flipping. The red tailed angel walks out in style as it all burns down in the distance. Best part, thew never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slammong like an anvil at 43 seconds. When the bad boss gst's their comeuppance. Good forr investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Melody Instrumental Version. Distorted guitar with harmonics and twisted bends takes the melody. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
Instrumental Version. Multi octave riffs throughout. Who's the bad boss now. Things have a way of flipping. The red-tailed angel walks out in style as it all burns down in the distance. Best part, they never saw it coming. Fretless bass sets the scheming mood leading to multi octave power chords slamming like an anvil at 43 seconds when the bad boss gets their comeuppance. Good for investigations, sports, espionage and dramatic showdowns.
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